The Author – Bart Busschots
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Apr
18
Photo of the Week 112 & 113 – Remembering Autumn
Filed Under Photography on April 18, 2010 | 2 Comments
I’m playing catch-up again this week with another double post – I’m not doing too well the last while to keep these on schedule. Anyhow, as usual for a double post, I’ve chosen two photos that share a theme – last Autumn in this case.
The first shot is taken along one of my favorite sections of the Royal Canal, between Deey and Pike Bridges on the stretch from Leixlip to Maynooth. This is one of the sections where the towpath hasn’t been surfaced, even with gravel, and where the canal is lined with trees. It’s a really lovely stretch of nature for walking or cycling along.
- Camera: Nikon D40
- Lens: Nikon DX AFS 18-55mm (D40 kit lens)
- Exposure: 1/160 sec
- Focal Length: 18mm
- Focal Ratio: f/8
- ISO: 200
- Camera Mode: Aperture Priority
- Exposure Bias: +0.3ev.
The second shot was taken on the grounds of St. Patrick’s College in Maynooth as Autumn was just starting.
- Camera: Nikon D40
- Lens: Nikon DX AFS 18-55mm (D40 kit lens)
- Exposure: 1/200 sec
- Focal Length: 18mm
- Focal Ratio: f/11
- ISO: 200
- Camera Mode: Aperture Priority
- Exposure Bias: +0.7ev.
Mar
28
Photo of the Week 108, 109 & 110 – The Big Freeze
Filed Under Photography on March 28, 2010 | Leave a Comment
Due to a few busy weekends in a row I’ve gotten very behind again, so I have a triple post this weekend to get caught up. As usual when I do a multi-week Photo of the Week, I’ve picked a theme that relates the photos to each other. In this case, they were all taken during the abnormally long and harsh cold spell at the start of January this year (you can see all my best shots in a Set on my Flickr stream).
The first shot I’ve chosen is of the College Cemetery in St. Patrick’s College Maynooth (SPCM). This cemetery is almost like a secret garden, hidden away behind some lovely old trees near the back of the grounds. It’s always a wonderfully peaceful place, especially in the snow. Fr. Nicolas Callan is buried here. He was a great scientists who worked in SPCM and is most famous for having invented the induction coil.
- Camera: Nikon D40
- Lens: Nikon DX AFS 18-55mm (D40 kit lens)
- Exposure: 1/60 sec
- Focal Length: 18mm
- Focal Ratio: f/8
- ISO: 200
- Camera Mode: Aperture Priority
- Exposure Bias: +0.7ev.
The second shot I’ve chosen was taken on a ground of Carton Estate just outside Maynooth village. I’d been cycling along the Royal Canal where the sun was beaming down and it was just a truly beautiful clear day. Then, the moment I left the canal and entered into Carton estate it was like I’d beamed to another world. There was this thin later of dense mist hovering just above the ground. Above that layer it was still a beautiful day, though clouds were starting to roll in. The layer of mist gave the whole place an ethereal feel. I’d honestly never seen anything like it. To be honest none of my shots did the scene justice, but I still really like this one.
- Camera: Nikon D40
- Lens: Nikon DX AFS 18-55mm (D40 kit lens)
- Exposure: 1/60 sec
- Focal Length: 19mm
- Focal Ratio: f/8
- ISO: 200
- Camera Mode: Aperture Priority
- Exposure Bias: +1.0ev
- Processing: This shot was generated by first applying the Topaz Adjust 4 filter to effectively tonemap the image, and then tweaking the result a little in Photoshop Elements 8 to selectively brighten just the snow.
Perhaps unsurprisingly, I’ve also chosen one of my train shots as one of my favorites. This shot was taken as the day was ending and the sun was getting very low in the sky. It shows an Irish Rail InterCity services making it’s way from Dublin to Sligo as it approaches Jackson’s Bridge just beyond Maynooth. From Jackson’s bridge you get a view of both the railway and the Royal Canal which runs next to the track for most of the way between Dublin and Mullingar.
- Camera: Nikon D40
- Lens: Nikon DX AFS 18-55mm (D40 kit lens)
- Exposure: 1/320 sec
- Focal Length: 18mm
- Focal Ratio: f/3.5
- ISO: 200
- Camera Mode: Full Manual
- Processing: This shot was generated by tonemapping the original RAW file with Photomatix Pro, and then tweaking the results a little using Aperture’s Dodge & Burn plugin.
Mar
7
Photo of the Week 107 – The Boathouse in Autumn
Filed Under Photography on March 7, 2010 | 3 Comments
My last few Photo of the Week picks have been nature macros, so I thought I’d change things up a bit this week and go for some local history. I just love the boathouse in Carton Estate, it’s such a cool little building in such a great setting. I’ve taken many shots of it, but this is one of my very favorites because of the dramatic backdrop nature kindly provided. For a start the trees in the background are at their autumn best, but as well as that the light was great and there sky was very dramatic.
- Camera: Nikon D40
- Lens: Nikon DX AFS 18-55mm (D40 kit lens)
- Exposure: 1/125 sec
- Focal Length: 18mm
- Focal Ratio: f/11
- ISO: 200
- Camera Mode: Aperture Priority
- Processing: This shot was generated by tonemapping the original RAW file with Photomatix Pro, and then tweaking the results a little using Aperture’s Dodge & Burn plugin.
Feb
28
Photo of the Week 106 – Peacock Butterfly
Filed Under Photography on February 28, 2010 | 2 Comments
Since the butterfly season will be starting up again soon I’ve been having a look back at my butterfly shots from previous years to see what gaps there are in my collection to help me plan my priorities for this year. In the process I also picked a shot for this week’s Photo of the Week, one from last year that I’m immensely fond of.
This shot is of the Peacock Butterfly (Inachis io), the most colorful and spectacular species we have in Ireland. I got quite a few shots of this species throughout the year, and in previous years (including Photo of the Week 32), but I particularly like this one because of where the butterfly chose to land. To get a nice out of focus background you do need there to be a bit of a distance between your subject and the background, and you need the background to be fairly even. In this case the butterfly landed on a very tall and beautiful special of Daisy called Black0eyed Susan. Because the Black-eyed Susans are tall, the leaves of the other plants in the garden were a long way below, hence the lovely soft green bokeh. The lovely yellow flowers themselves also add a lot to the shot, and the red of the butterfly contrasts nicely with both the green and the yellow really making it stand out.
- Camera: Nikon D40
- Lens: Nikon DX AFS 55-200mm
- Exposure: 1/320 sec
- Focal Length: 200mm
- Focal Ratio: f/8
- ISO: 400
- Camera Mode: Aperture Priority
- Exposure Bias: -0.3ev
Feb
7
Photo of the Week 102 & 103 – 2009 RPSI Santa Specials
Filed Under Photography on February 7, 2010 | 1 Comment
Each December the Railways Preservation Society of Ireland (RPSI) run a series of special excursions called Santa Specials. The trains run from Dublin’s Pearse Station to Maynooth and back, and are usually pulled by Steam Locomotive No.4. For three weekends in December there are up to three trips a day on Saturdays and Sundays, so lots of fantastic opportunities to get some shots of steam in action on Irish rails. This year there was a slight hitch on one of the days though, No.4 broke down on the last run on one of the Saturdays, so a Northern Irish Rail diesel loco had to fill in for the runs on the following Sunday, but by the next Saturday No.4 was back in action and was able to finish out the rest of the runs.
Since I missed posting a photo last week this is a double week, and I’ve chosen my two very favourite shots from last December’s season of Santa Specials. I have to say I really found it hard to pick just two, I’m really happy with quite a few of my shots from the month. If you want to see more than just these two shots I’ve created a set on Flickr with my best shots.
So, on to the first shot, in this case we see No.4 leaving gathering speed as it leaves Maynooth on the return leg back to Dublin Pearse. One thing you’ll note here is that the train appears to be going backwards, or “bunker first”. This is true, except it was designed to run just as well in both directions, so arguably there is no such thing as backwards. It’s this ability to run in either direction that made No.4 such a useful engine during it’s working life, because it could run to stations that didn’t have turntables for turning engines around. In the past all major stations had to have turntables, but very few of those now remain, and Maynooth never even had one because it only became an important station in the 1980s when it became the terminus for the new Western Commuter service out of Dublin.
- Camera: Nikon D40
- Lens: Nikon DX AFS 18-55mm (D40 kit lens)
- Exposure: 1/30 sec
- Focal Length: 18mm
- Focal Ratio: f/11
- ISO: 200
- Camera Mode: Shutter Priority
- Processing: This shot was generated by tonemapping the original RAW file with Photomatix Pro, and then using layer masks in Pixelmator to selectively blend it with the original to merge the best elements from both versions of the shot into the final image.
The second shot I chose shows No.4 on it’s way out to Maynooth running forwards. In this case the shot was taken in Leixlip just outside Leixlip-Louisa-Bridge station. This was No.4’s second run of the day, and this run had the best weather of any of this season’s runs.
- Camera: Nikon D40
- Lens: Nikon DX AFS 18-55mm (D40 kit lens)
- Exposure: 1/800 sec
- Focal Length: 18mm
- Focal Ratio: f/3.5
- ISO: 200
- Camera Mode: Aperture Priority
- Exposure Bias: -1.0ev
- Processing: This shot was generated by tonemapping the original RAW file with Photomatix Pro.
Jan
24
Photo of the Week 101 – An Autumn Dream
Filed Under Photography on January 24, 2010 | 5 Comments
Since I started playing with the Orton effect around Christmas time I’ve been going back through some of my older shots looking for images that would go well with the effect. Of all the images I played with, this one is my favourite. For some reason the dream-like quality of the Orton Effect compliments the autumnal tones very well. If you’re interested in experimenting with the Orton Effect I posted a tutorial with screen cast a few weeks ago.
- Camera: Nikon D40
- Lens: Nikon DX AFS 18-55mm (D40 kit lens)
- Exposure: 1/60 sec
- Focal Length: 42mm
- Focal Ratio: f/8
- ISO: 200
- Camera Mode: Aperture Priority
- Exposure Bias: -0.7ev
- Processing: The Image was first tweaked a little using Aperture’s Dodge & Burn plugin, and then the Orton Effect was applied.
Jan
3
Photo of the Week 98 – An Autumn Evening Commute
Filed Under Photography on January 3, 2010 | 1 Comment
One of my favourite places for photographing trains is Jackson’s Bridge, it’s one bridge west of Maynooth along the Dublin to Sligo mainline towards Killcock. Jackson’s bridge actually crosses both the Royal Canal and the railway line, since the two run parallel most of the way between Dublin and Mullingar. When you look East from Jackson’s Bridge towards Maynooth and Dublin you get a great view of the the track, the canal, the towpath, and a row of trees all running parallel next to each other almost as far as the eye can see.
This is normally a very quiet stretch of line with very little traffic on it, but twice a day the level of traffic really picks up. During the day most commuter trains terminate in Maynooth, but during the morning and evening rush some commuter trains now run all the way out to Longford. The number of InterCity services also increases at rush hour so you get a few trains an hour instead of a train every few hours!
I took this shot in mid-October when the trees have their nice autumnal colours, and when the evening rush-hour over-laps with the Golden Hour. I really like how the soft golden evening light interacts with the subtle autumnal tones of the trees.
Here we see an evening commuter train, consisting of two Class 29001 four-carriage diesel railcar sets joined together, making it’s way from Dublin to Longford. The front-most of the two railcar sets is number 29415.
I think one of the reasons I like this shot so much is that the composition feels both strong and natural to me. I think the strength comes from the strong diagonal of the railway line, canal, towpath & trees, and I think it feels natural because the vanishing point is at one of the magical “rule of thirds” regions (one third down from the top and one third in from the right).
- Camera: Nikon D40
- Lens: Nikon DX AFS 18-55mm (D40 kit lens)
- Exposure: 1/200 sec
- Focal Length: 18mm
- Focal Ratio: f/3.5
- ISO: 200
- Camera Mode: Aperture Priority
- Exposure Bias: -0.7ev
- Processing: Single RAW image first tonemapped with Photomatix Pro, then tweaked with the Dodge & Burn plugin in Apple’s Aperture
Dec
27
Photo of the Week 96 & 97 – The Beauty of Winter
Filed Under Photography on December 27, 2009 | 1 Comment
With the silly-season in full swing it’s probably no big surprise that I find myself a week behind again, so another double post this week. This time I decided to choose a seasonal topic – winter scenes. As it happens both these shots were taken on the same day, the 3rd of February this year. It started to snow in the late afternoon, stopped in time to get some lovely day-time shots, and then the sky cleared to give a dramatic sunset over the snow-covered landscape. A photographer’s dream, and this afternoon has already supplied two pervious Photos of the Week (50 “Braving the Snow” & 52 “Fire & Ice”).
- Camera: Nikon D40
- Lens: Nikon DX AFS 18-55mm (D40 kit lens)
- Exposure: 1/50 sec
- Focal Length: 26mm
- Focal Ratio: f/8
- ISO: 800
- Camera Mode: Aperture Priority
- Camera: Nikon D40
- Lens: Nikon DX AFS 18-55mm (D40 kit lens)
- Exposure: 1/100 sec
- Focal Length: 34mm
- Focal Ratio: f/8
- ISO: 800
- Camera Mode: Aperture Priority
- Exposure Bias: -1.0ev
- Processing: Single RAW image first tonemapped with Photomatix Pro, then tweaked with the Dodge & Burn plugin in Apple’s Aperture
Nov
23
Photo of the Week 92 – A Cabbage Leaf
Filed Under Photography on November 23, 2009 | Leave a Comment
When you find yourself getting bored of shooting in the sample place, a great way to get out of a rut is to force yourself to use just one lens all day. This forced perspective gives you no choice but to think differently about the location. This is what I did one changeable afternoon this summer. I stuck on my 55-200mm telephoto, and forced myself to use nothing else for the day. Being out in the beautiful Cavan countryside I would normally be shooting wide angle landscape shots. But, being confined to the telephoto I had to think smaller. That was when I noticed the water drops from a recent shower pooling on a cabbage leaf, and grabbed this shot.
I use this shot as one of the 20 or so that I have automatically rotating every 30 minutes as my desktop wallpaper. Each time it comes round in the rotation it brings a smile to my face. Normally I don’t share images bigger than 1000 pixels, but in this case I’m also sharing two larger versions designed to be used as desktop wallpapers.
on Flickr – Full-Size – Wallpaper (4:3) – Wallpaper (16:10)
- Camera: Nikon D40
- Lens: Nikon DX AFS 55-200mm
- Exposure: 1/500 sec
- Focal Length: 200mm
- Focal Ratio: f/5.6
- ISO: 800
- Camera Mode: Aperture Priority
- Processing: Apart from the basics edits in Aperture (exposure, white balance, detail & vibrancy), the shot was also tweaked a little using Aperture’s Dodge & Burn plugin to give it more of a sense of depth to draw the eye in better.
Nov
8
Photo of the Week 89 & 90 – Steam Loco No. 186
Filed Under Photography on November 8, 2009 | 4 Comments
Since I was ill last weekend I’m doing a double-post this weekend. In this case, it’s actually the same shot post-processed in two different ways.
Both shots are of the steam locomotive No. 186 which started it’s life as a mainline locomotive for Ireland’s Great Southern & Western Railway (GS&WR or just GSWR). No. 186 is now lovingly maintained by the Railway Preservation Society of Ireland (RPSI), and gets to stretch it’s legs on various Irish Rail mainlines on steam specials. This shot was taken when No. 186 was pulling the Ghost Train steam special from Dublin Connolly to Mullingar and back to Dublin Connolly. Here we see No. 186 crossing the Leixlip Viaduct on her way out to Mullingar in the morning. You can read more about No. 186 on the RPSI’s Website.
Normally when I tone-map shots I like to keep them looking natural, but in this case I really liked the result of pushing things a little further. The result is still quite natural, but yet also somewhat hyper-real.
The second version uses the first as the base for the conversion to monochrome. Because black and white shots tend to pick up a lot of texture anyway, the hyper-real look of the first version is completely lost in the second. We’re used to Sepia tone shots having this level of texture and detail in them.
You can see all my photos from this steam special in this Flickr Set.
- Camera: Nikon D40
- Lens: Nikon DX AFS 55-200mm
- Exposure: 1/320 sec
- Focal Length: 55mm
- Focal Ratio: f/4.5
- ISO: 400
- Camera Mode: Aperture Priority
- Processing (Version 1): Started by tonemapping a single RAW image in Photomatix Pro, then selectively tweaked the exposure, contrast, and saturation using the Dodge & Burn plugin in Aperture.
- Processing (Version 2): Took the veresion described above as the starting point, then converted to monochrome using the Channel Mixer brick in Apeture, then added a subtle Sepia Tone using the Colour Monochrome brick.