The Author – Bart Busschots
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May
23
Photo of the Week 116, 117 & 118 – April in Belgium
Filed Under Photography on May 23, 2010 | Leave a Comment
With being sick for the last two weeks I’ve ended up with a triple post this week. I’ve chosen my three favourite shots from my recent trip to Belgium for this instalment’s theme.
The first shot I’ve chosen is of a lovely medeival castle in my home town of Duffel that is locally known as “Kasteel Ter Elst”. It remained intact right up until the first world war when it was unfortunately destroyed. You can read more about the castle here.
- Camera: Nikon D40
- Lens: Nikon DX AFS 18-55mm (D40 kit lens)
- Exposure: 1/400 sec
- Focal Length: 18mm
- Focal Ratio: f/7.1
- ISO: 200
- Camera Mode: Aperture Priority
Perhaps unsurprisingly, the second shot I’ve chosen is a train shot. In this case showing the work-horse combination of the NMBS/SNCB’s intercity services. Here we see a rake of M6 double-decker coaches (with an M6 DVT in front) being pushed by NMBS/SNCB Class 27 electric locomotive number 2725.
- Camera: Nikon D40
- Lens: Nikon DX AFS 55-200mm
- Exposure: 1/640 sec
- Focal Length: 200mm
- Focal Ratio: f/5.6
- ISO: 400
- Camera Mode: Aperture Priority
- Processing Used Topaz Adjust 4 plugin to give the shot a little more ‘pop’.
The final image I’ve chosen is a butterfly shot, specifically a Green-veined White (Pieris napi) feeding on a Dandelion flower (Taraxacum officinale agg.).
- Camera: Nikon D40
- Lens: Nikon DX AFS 55-200mm
- Exposure: 1/1600 sec
- Focal Length: 200mm
- Focal Ratio: f/8
- ISO: 400
- Camera Mode: Aperture Priority
- Processing: Selectively applied the Topaz Adjust 4 plugin to the butterfly and the flower.
May
4
Photo of the Week 114 & 115 – Sunsets
Filed Under Photography on May 4, 2010 | 2 Comments
Since I was away in Belgium the previous weekend, this is yet another double post to get caught up. Again, double post means a single theme for both images. Inspired by all the talk of ash clouds leading to nice sunsets, I’ve picked two of my recent favorite sunset/dusk shots for this post.
The first shot was indeed taken while the recent volcanic ash cloud was making a nuisance of itself over Ireland. It was taken from Jackson’s Bridge (located between Maynooth and Kilcock) looking west along the Royal Canal. In the foreground you can see the 14th lock. 13 Locks to the east of here the Royal Canal starts at the old docks in Dublin, and 32 locks to the west it enters the river Shannon.
- Camera: Nikon D40
- Lens: Nikon DX AFS 18-55mm (D40 kit lens)
- Exposure: 1/500 sec
- Focal Length: 38mm
- Focal Ratio: f/8
- ISO: 200
- Camera Mode: Full Manual
- Processing: This shot was generated by tonemapping the original RAW file with Photomatix Pro, and then tweaking the resulting image with Topaz Adjust 4
The second shot I’ve chosen is a little older, and pre-dates all the ash-cloud excitement. Perhaps unsurprisingly, it’s of a train, in this case an evening Commuter service from Maynooth to Dublin looming into shot out of a spectacular sunset.
- Camera: Nikon D40
- Lens: Nikon DX AFS 55-200mm
- Exposure: 1/400 sec
- Focal Length: 120mm
- Focal Ratio: f/5
- ISO: 800
- Camera Mode: Full Manual
- Processing: This shot was generated by tonemapping the original RAW file (first converted to 16bit TIFF) with Topaz Adjust 4, and then tweaking the resulting image with Aperture’s Dodge & Burn plugin
May
1
Getting from Auto to Manual
Filed Under Photography on May 1, 2010 | 4 Comments
I was preparing notes for recording a Chit Chat Across the Pond segment on this topic with Allison this evening, and it occurred to me that this would make a good blog post, so I stopped making bullet points and wrote this article instead.
I still remember very vividly the first time I held my first DSLR. I was shocked by how many knobs and buttons there were, and I was very intimidated by all that apparent complexity. The appeal of the “auto” setting was very strong, and for weeks that’s where my camera stayed. The thing is, using a DSLR on full auto is such a waste, why get a camera that gives you so much artistic control, just to surrender it all to the camera’s primitive intelligence?
Today my DSLR is never in Auto, it spends a lot of time in ‘A’ mode (‘Aperture Priority’, TOTALLY different to Auto), and quite a bit in ‘M’ mode (full manual). Being the master of your camera in full manual mode is very liberating, and opens up a lot of creative possibilities. So, how do you get from Auto to Manual?
Apr
18
Photo of the Week 112 & 113 – Remembering Autumn
Filed Under Photography on April 18, 2010 | 2 Comments
I’m playing catch-up again this week with another double post – I’m not doing too well the last while to keep these on schedule. Anyhow, as usual for a double post, I’ve chosen two photos that share a theme – last Autumn in this case.
The first shot is taken along one of my favorite sections of the Royal Canal, between Deey and Pike Bridges on the stretch from Leixlip to Maynooth. This is one of the sections where the towpath hasn’t been surfaced, even with gravel, and where the canal is lined with trees. It’s a really lovely stretch of nature for walking or cycling along.
- Camera: Nikon D40
- Lens: Nikon DX AFS 18-55mm (D40 kit lens)
- Exposure: 1/160 sec
- Focal Length: 18mm
- Focal Ratio: f/8
- ISO: 200
- Camera Mode: Aperture Priority
- Exposure Bias: +0.3ev.
The second shot was taken on the grounds of St. Patrick’s College in Maynooth as Autumn was just starting.
- Camera: Nikon D40
- Lens: Nikon DX AFS 18-55mm (D40 kit lens)
- Exposure: 1/200 sec
- Focal Length: 18mm
- Focal Ratio: f/11
- ISO: 200
- Camera Mode: Aperture Priority
- Exposure Bias: +0.7ev.
Apr
4
Photo of the Week 111 – A Winter Evening Commute
Filed Under Photography on April 4, 2010 | Leave a Comment
I’ve taken shots of quite a few special trains recently, but somehow I still prefer this one, even if it is of just a plain ordinary commuter train. I really love this spot because it allows for a big sweeping composition which I really like. It helps give a nice sense of depth, and strangely also speed. I also really like the warm evening light which this shot was taken in.
The processing here is quite complicated. The first step was to take the original RAW image and tonemap it with Photomatix Pro. Secondly the RAW image was loaded into Aperture and tweaked to correct the exposure a little and to boost the colour a bit. This second version of the image was then exported to Photoshop Elements and the Topaz Adjust filter was applied to produce an alternative tonemapped version. The version from Topaz did a better job on the train and the trees in the background while the version from Photomatix was better for all the rest. This final image was generated by using Layer masks in Pixelmator to blend the two versions of the image into a third version with the best elements from each of the two other versions. This third blended version was then taken back into Aperture, given a few minor tweaks and then sent to the Dodge & Burn plugin in Aperture to do a few minor localised teaks.
- Camera: Nikon D40
- Lens: Nikon DX AFS 18-55mm (D40 kit lens)
- Exposure: 1/400 sec
- Focal Length: 26mm
- Focal Ratio: f/4
- ISO: 200
- Camera Mode: Full Manual
- Processing: see above.
Mar
28
Photo of the Week 108, 109 & 110 – The Big Freeze
Filed Under Photography on March 28, 2010 | Leave a Comment
Due to a few busy weekends in a row I’ve gotten very behind again, so I have a triple post this weekend to get caught up. As usual when I do a multi-week Photo of the Week, I’ve picked a theme that relates the photos to each other. In this case, they were all taken during the abnormally long and harsh cold spell at the start of January this year (you can see all my best shots in a Set on my Flickr stream).
The first shot I’ve chosen is of the College Cemetery in St. Patrick’s College Maynooth (SPCM). This cemetery is almost like a secret garden, hidden away behind some lovely old trees near the back of the grounds. It’s always a wonderfully peaceful place, especially in the snow. Fr. Nicolas Callan is buried here. He was a great scientists who worked in SPCM and is most famous for having invented the induction coil.
- Camera: Nikon D40
- Lens: Nikon DX AFS 18-55mm (D40 kit lens)
- Exposure: 1/60 sec
- Focal Length: 18mm
- Focal Ratio: f/8
- ISO: 200
- Camera Mode: Aperture Priority
- Exposure Bias: +0.7ev.
The second shot I’ve chosen was taken on a ground of Carton Estate just outside Maynooth village. I’d been cycling along the Royal Canal where the sun was beaming down and it was just a truly beautiful clear day. Then, the moment I left the canal and entered into Carton estate it was like I’d beamed to another world. There was this thin later of dense mist hovering just above the ground. Above that layer it was still a beautiful day, though clouds were starting to roll in. The layer of mist gave the whole place an ethereal feel. I’d honestly never seen anything like it. To be honest none of my shots did the scene justice, but I still really like this one.
- Camera: Nikon D40
- Lens: Nikon DX AFS 18-55mm (D40 kit lens)
- Exposure: 1/60 sec
- Focal Length: 19mm
- Focal Ratio: f/8
- ISO: 200
- Camera Mode: Aperture Priority
- Exposure Bias: +1.0ev
- Processing: This shot was generated by first applying the Topaz Adjust 4 filter to effectively tonemap the image, and then tweaking the result a little in Photoshop Elements 8 to selectively brighten just the snow.
Perhaps unsurprisingly, I’ve also chosen one of my train shots as one of my favorites. This shot was taken as the day was ending and the sun was getting very low in the sky. It shows an Irish Rail InterCity services making it’s way from Dublin to Sligo as it approaches Jackson’s Bridge just beyond Maynooth. From Jackson’s bridge you get a view of both the railway and the Royal Canal which runs next to the track for most of the way between Dublin and Mullingar.
- Camera: Nikon D40
- Lens: Nikon DX AFS 18-55mm (D40 kit lens)
- Exposure: 1/320 sec
- Focal Length: 18mm
- Focal Ratio: f/3.5
- ISO: 200
- Camera Mode: Full Manual
- Processing: This shot was generated by tonemapping the original RAW file with Photomatix Pro, and then tweaking the results a little using Aperture’s Dodge & Burn plugin.
Mar
7
Photo of the Week 107 – The Boathouse in Autumn
Filed Under Photography on March 7, 2010 | 3 Comments
My last few Photo of the Week picks have been nature macros, so I thought I’d change things up a bit this week and go for some local history. I just love the boathouse in Carton Estate, it’s such a cool little building in such a great setting. I’ve taken many shots of it, but this is one of my very favorites because of the dramatic backdrop nature kindly provided. For a start the trees in the background are at their autumn best, but as well as that the light was great and there sky was very dramatic.
- Camera: Nikon D40
- Lens: Nikon DX AFS 18-55mm (D40 kit lens)
- Exposure: 1/125 sec
- Focal Length: 18mm
- Focal Ratio: f/11
- ISO: 200
- Camera Mode: Aperture Priority
- Processing: This shot was generated by tonemapping the original RAW file with Photomatix Pro, and then tweaking the results a little using Aperture’s Dodge & Burn plugin.
Feb
28
Photo of the Week 106 – Peacock Butterfly
Filed Under Photography on February 28, 2010 | 2 Comments
Since the butterfly season will be starting up again soon I’ve been having a look back at my butterfly shots from previous years to see what gaps there are in my collection to help me plan my priorities for this year. In the process I also picked a shot for this week’s Photo of the Week, one from last year that I’m immensely fond of.
This shot is of the Peacock Butterfly (Inachis io), the most colorful and spectacular species we have in Ireland. I got quite a few shots of this species throughout the year, and in previous years (including Photo of the Week 32), but I particularly like this one because of where the butterfly chose to land. To get a nice out of focus background you do need there to be a bit of a distance between your subject and the background, and you need the background to be fairly even. In this case the butterfly landed on a very tall and beautiful special of Daisy called Black0eyed Susan. Because the Black-eyed Susans are tall, the leaves of the other plants in the garden were a long way below, hence the lovely soft green bokeh. The lovely yellow flowers themselves also add a lot to the shot, and the red of the butterfly contrasts nicely with both the green and the yellow really making it stand out.
- Camera: Nikon D40
- Lens: Nikon DX AFS 55-200mm
- Exposure: 1/320 sec
- Focal Length: 200mm
- Focal Ratio: f/8
- ISO: 400
- Camera Mode: Aperture Priority
- Exposure Bias: -0.3ev
Feb
27
Photo of the Week 104 & 105 – Irish Wild Flowers
Filed Under Photography on February 27, 2010 | Leave a Comment
With all the madness of upgrading to SnowLeopard and my failed upgrade to Aperture 3 I’m now one day away from being three weeks behind on my Photos of the Week posts. To catch up I’m going to post a double post today, and a single one tomorrow. As always with multiple posts, I’m going to pick a theme, and this time I’ve chosen macros of Irish wild flower. Both these flowers are small and delicate, so you may miss their subtle beauty unless you take the time to look closely.
The first shot is of one of my very favorite flowers, Herb Robert (Geranium robertianum). It’s a wild variety of Geranium, and there’s lovely detail in it’s small pink flowers. It’s very common in Ireland, but it’s hard to get it with and uncluttered background as it usually grows in crowded hedgerows. I’ve taken many other shots of these little beauties, but I really like the clean bokeh in this one.
- Camera: Nikon D40
- Lens: Nikon DX AFS 55-200mm
- Exposure: 1/400 sec
- Focal Length: 200mm
- Focal Ratio: f/5.6
- ISO: 800
- Camera Mode: Aperture Priority
- Exposure Bias: -0.3ev
The second shot I’ve chosen is of an absolutely tiny flower I found growing on some waste-ground near Leixlip Louisa Bridge railway station. These little guys are Eyebrights (Euphrasia officinalis agg.), and there are many different varieties in Ireland. Each of the different markings have subtly different coloured markings, and petals that are of slightly different shapes. These little guys are so small and so short that I literally had to lie flat on my stomach with the camera touching the ground to get this shot.
- Camera: Nikon D40
- Lens: Nikon DX AFS 55-200mm
- Exposure: 1/1600 sec
- Focal Length: 200mm
- Focal Ratio: f/5.6
- ISO: 400
- Camera Mode: Aperture Priority
Feb
21
My Aperture 3 Disaster
Filed Under Photography, Computers & Tech on February 21, 2010 | 7 Comments
When Apple announced Aperture 3 I was excited. The more I read about it on their site, and the more video demos I watched, the more I fell in love. The feature-list has everything I really wanted, and more besides. For me the really big deal was a power local adjustments feature, as well as Faces and Places. They also fixed some of my quibbles with Aperture 2. On paper this app was perfect for me. In reality however, it turns out not to be ready for the main-stream yet. The design is spot-on, but the implementation feels like a poor beta. As I write this I’ve down-graded back to Aperture 2.